Below is a text with blanks. Click on each blank, a list of choices will appear. Select the appropriate answer choice for each blank.
下面的文本有一些空格。点击每个空格会出现一组选项，请为每个空格选出最合适的答案。
Daniel Harris, a scholar of consumption and style, has observed that until photography finally illustration as the “primary means of advertising clothing” in the 1950s, glamor in the face of the drawing, which was by necessity schematic and generalized, than in the sketch’s attitude, posture, and gestures, especially in the strangely dainty positions of the hands. Glamour once resided so emphatically in the stance of the model that the faces in the cannot really be said to have at all, but angles or tilts. The chin raised upwards in a haughty look; the eyes lowered in an attitude of introspection; the head cocked at an inquisitive or coquettish angle: or the profile presented in sharp outline, emanating power the severity like an emperor's bust on a Roman .
加载中…
我的练习记录
加载中…