#23322Daniel Harris机经题

In the text below some words are missing. Drag words from the box below to the appropriate place in the text. To undo an answer choice, drag the word back to the box below the text.

下面的文本缺了一些词。请把词框里的词拖到文中合适的位置;要撤销选择,把词拖回文本下方的词框即可。

Daniel Harris, a scholar of consumption and style, has observed that until photography finally illustration as the “primary means of advertising clothing” in the 1950s, glamour inhered in the face of the drawing, which was by necessity schematic and generalized, than in the sketch’s attitude, posture, and gestures, especially in the strangely dainty positions of the hands. Glamour once resided so emphatically in the stance of the model that the in the illustrations cannot really be said to have at all, but angles or tilts. The chin raised upwards in a haughty look; the eyes lowered in an attitude of introspection; the head cocked at an inquisitive or coquettish angle: or the profile presented in sharp outline, emanating power the severity like an emperor’s bust on a Roman coin.

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